About
Kim Arrow is a New York-based artist whose work explores the coexistence of multiple dimensions—where time, identity, and the natural world merge into something both familiar and unknown. Her paintings reimagine reality, blending organic and futuristic materials, classicism and innovation, the physical and the metaphysical.
Her faceless figures do not exist in a single moment but across all moments. They are defined not by expression, but by the worlds they create around them—worlds where mountains glow in colors unseen, flowers evolve beyond nature, and architecture stretches into the possibilities of the future. Through these elements, Arrow constructs a vision of humanity’s trajectory—where beauty, nature, and identity are redefined through time and technology.
Each work is an intricate meditation on what it means to exist, to create, and to belong across centuries. Her collectors include serious art patrons in New York, and her limited-edition prints are produced with the highest archival standards, offering an opportunity to own a piece of her immersive world.
Woman With Flowers Series
Beauty, time, and transformation take center stage in The Women With Flowers Series. These figures are both timeless and futuristic, adorned with elaborate garments and organic-meets-mechanical flora. Flowers, a symbol of fleeting beauty, remind us of the way women have long been measured by youth—yet here, they exist as something more. These are not passive figures; they are women who construct themselves, shape their identities, and embrace both softness and structure. In each painting, multiple dimensions collide—fluid and rigid shapes, darkness and light, classical elegance and surreal futurism. Bound to nature, yet reaching for the unknown, these women embody the complexity of female existence: structured yet free, fragile yet eternal.
Seated Woman Series
A meditation on time, identity, and multiple dimensions, The Seated Women Series reimagines the classical seated female figure through the lens of contemporary surrealism. These faceless figures are not bound to a single moment in time; instead, they express their essence through the world they construct around themselves—the objects they collect, the garments they wear, and the interiors they inhabit. Each painting unveils a layered existence, where the known and unknown merge: windows open to impossible landscapes, futuristic flowers bloom in mechanical elegance, and time is marked not by clocks, but by candlelight. This series challenges the traditional portrait—a woman is not defined by her face, but by the choices she makes, the beauty she surrounds herself with, and the way she exists in multiple dimensions at once.